|

Biography
1970 born in Afula, Israel 1992-1996 BFA, The Bezalel Academy of Arts and Design, Jerusalem, IL
1999 MFA studies, School of Visual Arts, New York, USA
2003 Rooseum Universal Studios, Malmö, Sweden lives and works in The Netherlands and Israel
Solo Shows
2005
2004
2003
2002
2001 |
“Yael Bartana / Ausstellung in Katharinen”, Kunstverein St. Gallen Kunstmuseum,
St. Gallen, Switzerland
Annet Gelink Gallery / The Bakery, Amsterdam
“Trembling Time”, Prefix Institute of Contemporary Art, Toronto
Büro Friedrich, “When Adar Enters”, “Blimp”, Berlin
Sommer Contemporary Art, “You Could Be Lucky”, Tel Aviv, Israel
MIT, List Visual Arts Center, “When Adar Enters”, “Ad De’lo Yoda”, “Kings of the Hill” , Cambridge, Massachusetts
“King of the Hills”, P.S.1 Contemporary Art Center, New York
Herzliya Museum for Contemporary Art, “Blimp”, Herzliya, Israel
“Purim Spiel”, Annet Gelink Gallery, Amsterdam
“Kings of the Hill”, Kerstin Engholm Galerie, Vienna
“Selected Works 1996 – 2002”, Annet Gelink Gallery, Amsterdam
Galeria comercial, “Trembling Time”, “Kings of the Hill”, San Juan, Portugal
Beelden aan zee museum, Trembling Time, Scheveningen, Netherlands
Digital Art Lab, “Variables X Y Z”, Holon, Israel
Caermersklooster, “Profile”, Gent |
Group Shows
2005
2004
2003
2002
2001
2000
1999
1996
|
“That from a long way off look like flies”, Platform Garanti Contemporary Art Center, Istanbul
transmediale.05, Haus der Kulturen der Welt, Berlin
“Irreducible: Contemporary Short Form Video”, CCA Wattis Institute for Contemporary Arts, San Francisco
“Hilchot Shchenim Chapter C”, Israeli Digital Art Lab, Holon, Israel
“The Hebrews - 100 years of culture in Israel”, The Israel Museum and Martin Gropius Bau “Trembling Time”, Berlin
”Dorothea von Stetten – Kunstpreis 2004”, Kunstmuseum Bonn, Germany
Onufri 2004 Prize, National Gallery of Arts “Trembling Time”, Tirania, Albania
“Smile away the parties and champagne: een keuze uit de collectie”, Gemeentemuseum Helmond, Netherlands
„Das zweite Bild”, Galerie Olaf Stüber, Berlin
„Das zweite Bild”, dreizehnzwei, Vienna
Time Zones: recent film and video, Tate Modern, “Kings of the Hill”, London
Busan Biennale, Point of Contact, Contemporary Art Exhibition, “When Adar Enters”, “Ad de’lo Yoda” and „Blimp”, Korea
“The 10 Commandments”, Deutsches Hygiene-Museum, “Trembling Time”, Dresden
“The Mediterraneans”, Museum of Modern Art Rome, “Kings of the Hill”, Rome
Contemporary Art Center, Lonely Planet, Mito
De Appel Foundation, Quicksand, Amsterdam
Liverpool Biennial, Festival for Contemporary Art, “You Could Be Lucky”, Liverpool
“Aus aktuellem Anlass”, Galerie Johann König, Berlin
Time Depot. Petach Tikva Museum, “Low Relief II”, Petach Tikva, Israel
Surfacing, Ludwig Museum Budapest, Museum of Contemporary Art, “When Adar Enters” and “Ad De’lo Yoda”, Budapest
“Whereever I am”, Modern Art Oxford, “Profile”, “Trembling Time”, ”When Adar Enters”, “Ad de’lo Yoda” and “Blimp”, Oxford
“Armour”, Fort Asperen, Acquoy, Netherlands
Kunstwerke, Berlin
“Wonderyears - New Reflections on Shoah and Nazism in Isarel”, Neue Gesellschaft
für Bildende Kunst, Berlin
Overbeck-Gesellschaft, Lübeck Kunstverein, Lübeck, Germany
“The Promise”, The Land, O.K Center for Contemporary Art, Linz, Austria
Sheffield Festival of Contemporary Art 03, Site Gallery, Sheffield, Great Britain
“Cape Helde”, Oude Rijkswerf Willemsoord (Kunst en Cultuur Noord-Holland), Den
Helder, Netherlands
Galerie der Stadt Schwaz, Schwaz /Tirol, Austria
“M_ARS-Art and War”, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
“Rendez-Vous”, Musee d’Art Contemporain de Lyon, Lyon
“What? A tale in free images”, Brugge Culture Capital of Europe, Brugge
“Say Hello Wave Goodbye”, Galerie Hohenlohe & Kalb Wien, Vienna
Manifesta 4, European Biennial of Contemporary Art, Frankfurt/Main
“Tele-Journeys”, MIT List Visual Center, Cambridge, USA
The 4th Gwangju Biennale, Gwangju, Korea
De Paviljoens, “Non-linear Editing”, Almere, Netherlands
International Film Festival, Rotterdam
HEADAH video festival, Maastricht
Cinematexas International Short Film Festival, Hong Kong
“Cite des Ondes”, Montreal
“Nuits Blanche”, Paris
“In the Meantime”, De Appel, Amsterdam
“Neue Welt”, Frankfurter Kunstverein, Frankfurt/Main
“2e Sybren Hellinga Kunstprijs 2001”, Kunsthuis SYB, Beetsterzwaag
“Open Ateliers”, Rijksakademie van beeldende kunsten”, Amsterdam
“Greater New York”, PS1, New York
“Open Ateliers”, Rijksakademie van beeldende kunsten, Amsterdam
“Reflex”, Centre for the Arts, Tel Aviv
P.S.1, Long Island City, New York
“Reflex Ensemble in Musical Dialoges”, Center for the Arts, Tel Aviv
Borochov Gallery, Tel Aviv
B.F.A project, Bezalel academy of arts and design, Jerusalem
|
Film- /Video screenings
2004
2003
2002
|
Le Printemps de Septembre, Teletoulouse, “Kings of the Hill”, Toulouse
Transmediale 2004, international media art festival, Berlin
33rd International Film Festival Rotterdam
Transmediale 2003, international media art festival, Berlin
Impakt Festival, Utrecht
Borderlines, Antwerp
La grande Halle de la Villete, “Nuit Blanche”, Paris
Kasseler Documentarfilm und Videofest, Kassel
Theater Festival at the Singel, Antwerp
Uitmarkt, Balie, Amsterdam
Festival Bandits Images, Bourges
NEMO festival, Paris
Macau Art Festival, Macau
FACT, Liverpool
Vidéochroniques, Rennes
“Video Zone”, The 1st biennale for video, Tel-Aviv
“Nuits Blanche”, Paris
Videotage, Microwave International Media Art Festival 2002, Hong Kong
Cinematexas, International Short Film Festival, department of radio-tv-film,
International Competition Program, Austin, Texas
VIPER Basel 2002, International Competition Film/Video Programme, Basel
“Cite des Ondes”, 5th International Manifestation of Video and Electronic Arts of
Montreal
48 International Short Film Festival Oberhausen
4th International Festival of Film and New Media, ‘e-phos', Athens
Media Forum 2002, XXIV Moscow International Film festival
International Film Festival Rotterdam |
Prizes
2005
2003
1996
|
Dorothea von Stetten-Kunstpreis, Kunstmuseum Bonn, Bonn
Nominee Prix de Rome, Rijksakademie, Amsterdam
Anselm Kiefer Prize, The Wolf Foundation, Israel
The Samuel Prize, for the video/sound installation Ant-Bulb, Bezalel Academy of Art and Design, Jerusalem |
Bibliography
Articles
2004
2003
2002
2001
2000 |
“Qicksand engulfs and disorients”, Amsterdam Weekly, 05.-11.05.
Vrij Nederland, 24.04.
“Plaagstootjes van jonge curatoren”, De Volkskrant, 08.04.
Click opera, www.livejournal.com, 14.03.
“Yael Bartana”, Art Review, December/January, p.102.
Claudia Aigner, “Der Umweg ist das Ziel”, in: Wiener Zeitung, 01./02.08.
Andrea Winklbauer, “Das große Krabbeln”, in: artmagazine.com, 23.07.
Sabine Vogel, “Yael Bartana”, in: artforum.com, 15.07.
“Muster der Ignoranz”, in: Der Standard, 07.07.
“Nähe und Distanz”, in: Profil, 28, 07.07., p. 35.
Charles Esche, “Yael Bartana”, in: Cream 3 - Contemporary Art in Culture, June.
Dorothee Richter, “Remapping the Region”, in: Die Springerin, Summer, p. 34-6.
Peter Holm, “Knapp formulierte Kunstkonzepte”, in: Kieler Nachrichten, 22.01.
“Junge Kunst transkulturell”, in: Lübecker Stadtzeitung, 21.01.
“Heimat, von außen gesehen“, in: Lübecker Nachrichten, 18.01.
“Manifesta 4”, in: Art Monthly, July/August.
“Künstler-Portraits – Yael Bartana”, in: Frankfurter Rundschau, 03.06.
Kate Bush, “Manifesta 4”, in: Art Forum.
Angela Rosenberg, “Spotlight - Manifesta 4”, in: Flash Art, 225, July/September.
Sandra Heerma van Voss, “Sinaasappelbron aan de Main-oever”, in: NRC Handelsblad.
Jacquine van Elsberg, “Bibberen, beven, rillen, en sidderen in trillende tijd”, in: Skrien.
Verena Kuni, “Manifesta 4”, in: Frieze, 69, September, p. 104.
Yael Bartana, “Self portrait”, in: Tema Celeste, 91, May/June.
Hans den Hartog Jager, “Keelzangers en een dood paard in Open Ateliers”, in:
NRC Handelsblad.
Esma Moukhtar, “Boodschappen in een trillingslaag”, in: de Volkskrant.
Alex Mar, “In the MeanTime…”, in: Metropolis M, NL, Special edition Summer, p. 48.
Paola van de Velde, “Marsmuziek en een leger van naalden. Amsterdamse
Rijkakademie houdt Open Ateliers”, in: De Telegraaf.
Paola van de Velde, “Jennifer Tee serveert taart. Rijksakademie – studenten hebben
overduidelijk lol in hun werk”, in: De Telegraaf.
“Geluid, veel geluid in Open Ateliers”, de Volkskrant.
Jhim Lamoree, “Veel installaties en een enkel schilderij of beeld”, in: Het Parool.
Marina de Vries, “Liever een camera dan verf en kwast”, in: Het Parool. |
|
|

|